Brandon Wilson is a Washington, DC-based corporate photographer and video producer. Ten-plus years shooting, lighting, sound, and editing end-to-end for marketing teams, comms departments, and executive offices.
Recent event coverage and brand video, produced start to finish — shooting, editing, sound, and delivery.
From the first concept call to final delivery, every project is shot, lit, recorded, and edited under one roof. No subcontracted handoffs. No surprises.
Recruitment films, executive features, brand stories, internal training, and process documentation. Watchable pieces that translate complex work into clear narrative.
Executive portraits, team headshots, on-site and event coverage, and editorial photography for annual reports, press, and recruitment campaigns.
Factory floors, fieldwork, and operational processes captured with the technical fluency to keep moving in working environments — and the eye to make them watchable.
Fast-turn executive features, social-first cuts, and full campaign assets built to live across web, LinkedIn, and internal channels.
For more than ten years I've helped companies turn complex processes into clear, watchable stories — whether that's training on a factory floor, recruitment and lifestyle pieces, or fast-turn executive features. I've spent that decade shooting, lighting, recording sound, and editing end-to-end across Virginia and the Mid-Atlantic for corporate, industrial, and marketing teams.
I currently work as a Marketing Specialist at S&P Global, where I produce visuals across departments. Before that I contracted with marketing teams at Google, Amazon Business, and HP, supporting campaigns, branded storytelling, and event coverage in the DC metro area.
The thing I care about most is that the work actually does its job — that the recruitment piece gets watched all the way through, that the executive feature lands, that the campaign assets perform when they ship. Polished work is the floor, not the ceiling.
Most corporate production fails at the seams — between strategy and shoot, between shoot and edit, between edit and delivery. The fix is fewer handoffs.
A 30-minute conversation to understand the brief, audience, and what success actually looks like for the team.
Scoping, scheduling, location scouting, and shotlists. You sign off before anything moves.
On-site shooting with full lighting and audio control. One operator, full kit, minimal disruption.
Editing, color, sound, captions, and platform-ready exports. Two revision rounds standard.
Tell me what you're trying to accomplish — recruitment campaign, executive feature, brand video, headshots, or something I haven't thought of yet. I'll reply within one business day with next steps.